Princess Marie Bonaparte is an important figure in the history of psychoanalysis, remembered for her crucial role in arranging Freud’s escape to safety in London from Nazi Vienna, in 1938. This paper connects us to Bonaparte’s work on Poe’s short stories. Founded on concepts of Freudian theory and an exhaustive review of the biographical facts, Marie Bonaparte concluded that the works of Edgar Allan Poe drew their most powerful inspirational force from the psychological consequences of the early death of the poet’s mother. In Bonaparte’s approach, which was powerfully influenced by her recognition of the impact of the death of her own mother when she was born—an understanding she gained in her analysis with Freud—the thesis of the dead-living–mother achieved the status of a paradigmatic key to analyze and understand Poe’s literary legacy. This paper explores the background and support of this hypothesis and reviews Bonaparte’s interpretation of Poe’s most notable short stories, in which extraordinary female figures feature in the narrative.
